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	<title>Titan Line Music</title>
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	<link>http://www.titanlinemusic.com</link>
	<description>Houston H. Haynes - Composition for Film, Television &#38; New Media</description>
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		<title>Delayed Gratification &#8211; You&#8217;ve Got Mail</title>
		<link>http://www.titanlinemusic.com/2010/03/08/delayed-gratification-youve-got-mail/</link>
		<comments>http://www.titanlinemusic.com/2010/03/08/delayed-gratification-youve-got-mail/#comments</comments>
		<pubDate>Tue, 09 Mar 2010 07:14:42 +0000</pubDate>
		<dc:creator>Houston Haynes</dc:creator>
				<category><![CDATA[Delayed Gratification]]></category>
		<category><![CDATA[Arturia]]></category>
		<category><![CDATA[desktop]]></category>
		<category><![CDATA[LPHovercraft]]></category>
		<category><![CDATA[Origin]]></category>
		<category><![CDATA[sound design]]></category>
		<category><![CDATA[synthesizer]]></category>
		<category><![CDATA[Thunderbird]]></category>

		<guid isPermaLink="false">http://www.titanlinemusic.com/?p=1273</guid>
		<description><![CDATA[
I was doing some spelunking through the latest firmware update for the Arturia Origin synth, and came across an arpeggiated patch that really caught my ear. I tweaked and recorded a quick sketch to add to a database for organizing some of the ideas around a personal music project (which you&#8217;ll eventually see and hear [...]]]></description>
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		<title>Re-discovering an old flame</title>
		<link>http://www.titanlinemusic.com/2010/03/05/re-discovering-an-old-flame/</link>
		<comments>http://www.titanlinemusic.com/2010/03/05/re-discovering-an-old-flame/#comments</comments>
		<pubDate>Sat, 06 Mar 2010 05:15:29 +0000</pubDate>
		<dc:creator>Houston Haynes</dc:creator>
				<category><![CDATA[Hardware]]></category>
		<category><![CDATA[audio interface]]></category>
		<category><![CDATA[Firewire]]></category>
		<category><![CDATA[K-System]]></category>
		<category><![CDATA[mastering]]></category>
		<category><![CDATA[metering]]></category>
		<category><![CDATA[mixing]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[RME]]></category>
		<category><![CDATA[Sound]]></category>
		<category><![CDATA[surround]]></category>

		<guid isPermaLink="false">http://www.titanlinemusic.com/?p=1257</guid>
		<description><![CDATA[Well, I suppose we all live and learn. I just couldn&#8217;t stay away. I returned to an old flame after nearly a year. My friends, I give you the RME Fireface 400.
OK &#8211; so most of you will get the joke &#8211; because this audio interface uses a &#8220;FireWire&#8221; 1394 connection, I refer to it [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>What is Pat Benatar doing on my video card?</title>
		<link>http://www.titanlinemusic.com/2010/02/28/what-is-pat-benatar-doing-on-my-video-card/</link>
		<comments>http://www.titanlinemusic.com/2010/02/28/what-is-pat-benatar-doing-on-my-video-card/#comments</comments>
		<pubDate>Sun, 28 Feb 2010 20:27:06 +0000</pubDate>
		<dc:creator>Houston Haynes</dc:creator>
				<category><![CDATA[Hardware]]></category>
		<category><![CDATA[graphics]]></category>
		<category><![CDATA[Pat Benatar]]></category>
		<category><![CDATA[studio]]></category>
		<category><![CDATA[video]]></category>

		<guid isPermaLink="false">http://www.titanlinemusic.com/?p=1251</guid>
		<description><![CDATA[So I&#8217;m in the middle of doing a minor studio up-fit, a short list of tasks that includes replacing my video card. I&#8217;m going to a new card that allows more of the &#8216;heavy lifting&#8217; of high definition video to be processed directly video card&#8217;s GPU. Previously I had both a video card (the one [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Delayed Gratification: The Road to Kandahar</title>
		<link>http://www.titanlinemusic.com/2009/12/14/delayed-gratification-the-road-to-kandahar/</link>
		<comments>http://www.titanlinemusic.com/2009/12/14/delayed-gratification-the-road-to-kandahar/#comments</comments>
		<pubDate>Tue, 15 Dec 2009 01:50:38 +0000</pubDate>
		<dc:creator>Houston Haynes</dc:creator>
				<category><![CDATA[Delayed Gratification]]></category>

		<guid isPermaLink="false">http://www.titanlinemusic.com/?p=1238</guid>
		<description><![CDATA[Light cat-and-mouse orchestral cue that gains heft with a range of mixed meters and instrumentation as it plays out.
]]></description>
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		<title>Delayed Gratification: Last Snow Before Spring</title>
		<link>http://www.titanlinemusic.com/2009/12/10/delayed-gratification-last-snow-before-spring/</link>
		<comments>http://www.titanlinemusic.com/2009/12/10/delayed-gratification-last-snow-before-spring/#comments</comments>
		<pubDate>Thu, 10 Dec 2009 16:53:47 +0000</pubDate>
		<dc:creator>Houston Haynes</dc:creator>
				<category><![CDATA[Delayed Gratification]]></category>

		<guid isPermaLink="false">http://www.titanlinemusic.com/?p=1226</guid>
		<description><![CDATA[This cue was written to give a floating feeling of a light snowfall, with a touch of dramatic heft as the strings build.
]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>No Silver Bullet &#8211; Essence and Accidents in the Business of Composing</title>
		<link>http://www.titanlinemusic.com/2009/12/07/no-silver-bullet/</link>
		<comments>http://www.titanlinemusic.com/2009/12/07/no-silver-bullet/#comments</comments>
		<pubDate>Mon, 07 Dec 2009 08:13:55 +0000</pubDate>
		<dc:creator>Houston Haynes</dc:creator>
				<category><![CDATA[Word on the Street]]></category>
		<category><![CDATA[Aaron Copland]]></category>
		<category><![CDATA[Charlie Chaplan]]></category>
		<category><![CDATA[D.W. Griffith]]></category>
		<category><![CDATA[Douglas Fairbanks]]></category>
		<category><![CDATA[Fred Brooks]]></category>
		<category><![CDATA[Joseph Schillinger]]></category>
		<category><![CDATA[Mary Pickford]]></category>
		<category><![CDATA[Nadia Boulanger]]></category>
		<category><![CDATA[No Silver Bullet]]></category>
		<category><![CDATA[United Artists]]></category>

		<guid isPermaLink="false">http://www.titanlinemusic.com/?p=1202</guid>
		<description><![CDATA[Download this article as a PDF
Since attending the AMCL meeting last month there have been quite a few questions rattling around in my head – and I’m sure I’m not alone in this, given the amount of chatter among my fellow SCORECasters both online and at studios, restaurants and coffee shops around town. Unfortunately podcast [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Congrats to David Miles Huber &#8211; Grammy Nom for Surround Sound</title>
		<link>http://www.titanlinemusic.com/2009/12/04/congrats-to-david-miles-huber-grammy-nom-for-surround/</link>
		<comments>http://www.titanlinemusic.com/2009/12/04/congrats-to-david-miles-huber-grammy-nom-for-surround/#comments</comments>
		<pubDate>Fri, 04 Dec 2009 22:59:59 +0000</pubDate>
		<dc:creator>Houston Haynes</dc:creator>
				<category><![CDATA[Word on the Street]]></category>

		<guid isPermaLink="false">http://www.titanlinemusic.com/?p=1152</guid>
		<description><![CDATA[This is a quick post to congratulate my friend David Miles Huber on his Best Surround Sound Album nomination this year. Colabs is an excellent electronica album &#8211; totally aside from the fact that it&#8217;s a great example of how surround can be used as an extra-dimensional musical environment. Every time I listen to a [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Plogue Chipsounds RAWKS!</title>
		<link>http://www.titanlinemusic.com/2009/11/09/plogue-chipsounds-rawks/</link>
		<comments>http://www.titanlinemusic.com/2009/11/09/plogue-chipsounds-rawks/#comments</comments>
		<pubDate>Mon, 09 Nov 2009 16:24:40 +0000</pubDate>
		<dc:creator>Houston Haynes</dc:creator>
				<category><![CDATA[Software]]></category>
		<category><![CDATA[composition]]></category>
		<category><![CDATA[Plogue]]></category>
		<category><![CDATA[synthesizer]]></category>
		<category><![CDATA[virtual instruments]]></category>
		<category><![CDATA[VSTi]]></category>

		<guid isPermaLink="false">http://www.titanlineaudio.com/?p=1101</guid>
		<description><![CDATA[I just bought a gem of a plugin &#8211; Plogue&#8217;s chipsounds. In a way, it flaunts the never-ending-cycle of increased sample resolution and esoteric synthesis methods. This virtual instrument represents a throwback sound set captured from some of the classic game and computer consoles of years (and in some cases, decades) past. It may *seem* [...]]]></description>
		<wfw:commentRss>http://www.titanlinemusic.com/2009/11/09/plogue-chipsounds-rawks/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Delayed Gratification: Good Times</title>
		<link>http://www.titanlinemusic.com/2009/11/05/delayed-gratification-good-times/</link>
		<comments>http://www.titanlinemusic.com/2009/11/05/delayed-gratification-good-times/#comments</comments>
		<pubDate>Fri, 06 Nov 2009 05:38:29 +0000</pubDate>
		<dc:creator>Houston Haynes</dc:creator>
				<category><![CDATA[Delayed Gratification]]></category>

		<guid isPermaLink="false">http://www.titanlineaudio.com/?p=1092</guid>
		<description><![CDATA[This is a fun little sonic thought experiment that I put together in order to mix and match some new sounds with some of the studio stalwarts.
]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Larkin Gayle: Two Hands</title>
		<link>http://www.titanlinemusic.com/2009/10/16/larkin-gayle-two-hands/</link>
		<comments>http://www.titanlinemusic.com/2009/10/16/larkin-gayle-two-hands/#comments</comments>
		<pubDate>Sat, 17 Oct 2009 00:38:53 +0000</pubDate>
		<dc:creator>Houston Haynes</dc:creator>
				<category><![CDATA[Projects]]></category>
		<category><![CDATA[About Records]]></category>
		<category><![CDATA[arranging]]></category>
		<category><![CDATA[Larkin Gayle]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[songwriting]]></category>

		<guid isPermaLink="false">http://www.titanlineaudio.com/?p=1055</guid>
		<description><![CDATA[Larkin Gayle&#8217;s voice is the kind you just fall for. She has an effortless quality in the way she delivers a song. Her sound comes across as both rich and ever-so-slightly breathy, with the right balance of musicality and spontaneity. The music has a touch of sophistication that, like her voice, will slide right by [...]]]></description>
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		<slash:comments>0</slash:comments>
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